Music Life and Times

EP35: Standing Room Only: Trumpeter and Vocalist Joe Gransden

Joe Gransden has built his brand on multiple levels, perhaps best known as big band leader, heading up the 16-piece group of jazz musicians that filled Café 290 on Monday nights for more than 12 years and continues to entertain at venues and events around Atlanta and beyond, as well as performing with a variety of combinations for a variety of gigs, from restaurants to corporate parties to his own popular jam sessions.  

EP34: Guest Roderick Harper

At 57, Roderick Harper is gaining steam. A versatile artist with both jazz and R&B albums, he calls on a background that started as early a small child singing along with TV commercials, through early lessons in the American Songbook and a minor in jazz studies at Southern University, to a performer audiences love for the passion and integrity of his singing. Mike and Kevin talk with Roderick in between two nights of his performances, accompanied by Kevin, at the Atlanta-area jazz club, The Velvet Note.

EP33: Composers and Lyricists

Every Elton John has his Bernie Taupin. Jerome Kern had to have his Oscar Hammerstein. Even Duke Ellington needed a Billy Strayhorn or Irving Mills or Bob Russell. Point is, a song isn’t much of a song without lyrics, and how lyricists and composers work together, if unique to each pair, is one more example of the cooperation involved in making great music.

EP32: Collaboration: A Great Lesson

Consistent with the podcast’s focus on the life lessons that learning to play music teaches, Kevin and Mike talk about musical conversation, that is, how musicians playing together collaborate, listening to each other and accommodating each other’s playing, to create better music.

EP31: Getting Started In Music

Whether you’re a youngster who wants to learn how to play an instrument, or a parent who recognizes the value of music in their child’s education, or an adult who has never played but wants to learn how, it’s never too early or too late to start. Kevin shares insights on how to get started from his three decades of teaching young and adult students.

EP30: On The Road Again

People who make their living playing music typically do a lot of travelling. While some might have a house gig in their hometown, most find themselves in venues that take them to different parts of their country and even around the world. Those experiences—that breadth of experience—combine to be one of the great benefits of life as a musician.

EP29: The Uniqueness of the Great Players

From Bill Evans to Oscar Peterson to Ahmad Jamal to Charlie Parker to John Coltrane to Miles Davis, and on and on, each of the great players is distinguished by their own unique style. In this podcast, Kevin talks about the some of those legends and how they expressed themselves, and he and Mike discuss the importance of individualistic expression—that is, to perform from your heart—to all music.

EP28: My Funny Valentine

The song from Babes in Arms, a 1937 musical by Richard Rodgers and Lorenzo Hart, has been recorded more than 1300 times by more than 600 artists. The song continues to receive mixed reviews from musicians and music critics, but it has been a favorite of artists from Frank Sinatra to Sarah Vaughan to jazz trumpeter/vocalist Chet Baker, whose recording of it is enshrined. The podcast delivers some interesting takes on the history of the tune, some of the recordings, and the song itself. 

EP27: Why Musicians Love to Teach

So many great musicians are also dedicated teachers. They love passing along their knowledge and inspiring others, getting them excited about the things they’re excited about, infecting them with love for what they’re doing, and how exciting it is to make music with other people. It is the jazz teaching tradition at its best: “Each one, teach one.”

EP26: Classical Music: A Great Resource for Jazz Musicians

Most great jazz musicians were trained in classical music. So do you need to learn classical music first before you can play jazz? Or is playing jazz about learning shapes and harmony, technique and structures, the things required to play any music well. There shouldn’t be a separation between classical and jazz; the creation and performance of music is the same regardless of the genre. Classical Music’s role for jazz musicians is in its long tradition of attempts at solving technical issues; it is a great resource for jazz musicians.